In Review: 'A Real Pain,' 'Red One'
If you want real pain this week, see 'Red One.' 'A Real Pain,' on the other hand, is a pleasure.
If you want real pain this week, see 'Red One.' 'A Real Pain,' on the other hand, is a pleasure.
Altman helped redefine American films in the first half of the 1970s. The second half was another story.
Sometimes actors variations on the same persona year after year. Others change lanes.
Technicolor passions flare up on and off the ballet stage in Michael Powell and Emeric Pressburger's signature achievement.
Clint Eastwood continues (and maybe concludes) a late-career streak of compelling films with a courtroom drama while Robert Zemeckis travels the years without moving the camera.
One sort of horror gives way to another in this claustrophobic family story from Austria.