In Review: 'Final Destination Bloodlines,' 'Sister Midnight'
Horror two ways this week as a franchise favorite returns after a 14-year break and an Indian film reaches for instant cult status.
Keith Phipps—445 posts
Darkness at the Edge of Town: James Foley’s ‘At Close Range’ and ‘After Dark, My Sweet’
The late director’s early films include a pair of haunting crime stories inspired by fact and fiction.
In Review: 'Friendship,' 'Caught by the Tides'
This week, Tim Robinson vies for a buddy who thinks he should leave and director Jia Zhangke keeps adding to his story of 21st century China.
Last Dance: With ‘Ginger and Fred,’ Federico Fellini Gathered His Greatest Stars For a Sweet and Sour Reunion
Fellini’s sentimental satire tap dances through the blighted media landscape seen in an earlier form in ‘La Dolce Vita.’
#60 (tie): 'La Dolce Vita': The Reveal discusses all 100 of Sight & Sound’s Greatest Films of All Time
Federico Fellini's controversial 1960 masterpiece found thrills and alienation in the lives of Italy's beautiful people.
In Review: 'Thunderbolts*.' 'The Surfer,' 'Pavements'
An underdog tale offers a different perspective on the MCU, Nicolas Cage battles a town of Australian toughs, and a seminal '90s band gets a rock-doc, biopic, and jukebox musical all rolled into one.