In Review: 'Ant-Man and the Wasp: Quantumania,' 'Return to Seoul'
This week's new releases find the MCU getting small and follows a young woman's years-long identity crisis.
Keith Phipps—442 posts
Seven Observations After Watching Franco Zeffirelli’s 'Romeo and Juliet' for the First Time Since Freshman English Class
A new Criterion Blu-ray reveals a film more complex than the teaching aide it's become.
#95 (tie): 'Black Girl': The Reveal discusses all 100 of Sight & Sound's Greatest Films of All Time
With his debut feature, Senegalese author and activist Ousmane Sembène fleshes out a ripped-from-the-headlines tragedy about a young woman from Dakar whose job in France isn't what she imagines.
In Review: 'Magic Mike's Last Dance,' 'To Leslie'
Steven Soderbergh and Channing Tatum head to London for perhaps one dance too many and the year's biggest Oscar controversy surrounds a run-of-the-mill indie.
The Rethinking of Ending Things: On the Final Act of 'Knock at the Cabin'
The latest from M. Night Shyamalan radically reworks the conclusion of its source material. But the change can't really be called a happy ending.
'The Robe': The most influential movie nobody watches anymore
in 1953, this Biblical epic introduced CinemaScope, a widescreen format that wowed audiences and changed the movies forever. Now it's the answer to a trivia question.