The Rethinking of Ending Things: On the Final Act of 'Knock at the Cabin'
The latest from M. Night Shyamalan radically reworks the conclusion of its source material. But the change can't really be called a happy ending.
Keith Phipps—450 posts
'The Robe': The most influential movie nobody watches anymore
in 1953, this Biblical epic introduced CinemaScope, a widescreen format that wowed audiences and changed the movies forever. Now it's the answer to a trivia question.
In Review: 'Infinity Pool,' 'Close'
In this week's reviews, Brandon Cronenberg visits the world outside an exclusive resort, with Cronenberg-ian results. And Belgian director Lukas Dhont looks at a teenage friendship torn asunder.
#95 (tie): 'The General': The Reveal discusses all 100 of Sight & Sound's Greatest Films of All Time
Buster Keaton's mammoth Civil War comedy is unquestionably one of his greatest achievements. But is it our favorite Keaton?
In Review: 'Plane,' 'Sick'
This week, two January genre movies keeps it simple. One-word titles, thrills on a budget.
Revisiting 'The Book of Movie Lists,' an Eccentric Collection of Odd Facts and Bizarre Opinions from the Long-Ago Year of 1981
I tracked down a book I checked out from the library years ago. It was a lot weirder than I remembered.