In review: 'Passing,' 'Belfast,' 'Red Notice'
Netflix giveth and taketh away this week with Rebecca Hall's subtle B&W racial drama and a $200 million waste of time. And Kenneth Branagh would like his Oscar, please.
Netflix giveth and taketh away this week with Rebecca Hall's subtle B&W racial drama and a $200 million waste of time. And Kenneth Branagh would like his Oscar, please.
The director of 'The Good, The Bad, The Weird' and 'I Saw the Devil' moves his act to television, with some of the edges sanded down.
In this week's reviews, the most beautiful MCU is also the worst, Pablo Larraín gives Princess Diana the 'Jackie' treatment, and robots and agents run on faulty programming.
Buried on Paramount +, this long-unavailable Miramax acquisition from 1990 speaks uncannily to the simmering evils of the present day.
In this week's reviews, Edgar Wright enters an evocative, giallo-inspired portal to '60s London, horror gets elevated, and Joanna Hogg continues her semi-autobiographical journey.
In which the author and humorist gets the 'Dune' of his dreams, but wonders if the era that made it "filmable" is also an era in which it's unnecessary.