A robust movie week offers Todd Haynes' documentary about the influential rock band, Mia Hansen-Løve's meta-movie about married filmmakers in PersonaLand and a lively return to form for Ridley Scott.
In yesterday’s newsletter, I wrote about my woeful slacktitude as a moviegoer during the first two-thirds of 2021, and my efforts to make up
In which a humbled critic binges the woefully neglected great films of 2021.
Neon announced a plan to release the new Apichatpong Weerasethakul film in one city, one theater and one week at a time. We should be happy about who benefits.
What the director's first foray into paperback fiction says about his discursive nature, his key obsessions and novelizations as a form.
The pandemic has accelerated dramatic changes in how people watch movies. How much is it changing their value, too?