A flop in 1982, Ridley Scott's loose adaptation of a Philip K. Dick novel explores the nebulous definition of what it means to be human via a noir-inspired story of killer robots and those that killed them.
This week, Spike Lee remakes an Akira Kurosawa noir for a vibrant New York City and an ass-kicking Bob Odenkirk loses its novelty.
On the unique qualities of Laura Linney as one in a pair of screwed-up siblings in 'You Can Count on Me' and 'The Savages.'
This week, Zach Cregger's follow-up to 'Barbarians' absolutely rips while a new 'Freaky Friday' absolutely rips itself off.
The late director Jonathan Kaplan's influential cult classic connects teenage rebellion with poor city planning.
Roll up for the mystery tour.