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In Review: 'The Velvet Underground,' 'Bergman Island,' 'The Last Duel'

In Review: 'The Velvet Underground,' 'Bergman Island,' 'The Last Duel'

Scott Tobias Keith Phipps

A robust movie week offers Todd Haynes' documentary about the influential rock band, Mia Hansen-Løve's meta-movie about married filmmakers in PersonaLand and a lively return to form for Ridley Scott.

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Minding the Gaps: 'The End of Summer' (1961): “Until the moss grows”

Minding the Gaps: 'The End of Summer' (1961): “Until the moss grows”

Keith Phipps

A column dedicated to watching a previously unseen movie chosen at random kicks off with late work by a Japanese master

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The Best Films of the Year (* According to Metacritic, According to Me): Part II

The Best Films of the Year (* According to Metacritic, According to Me): Part II

Scott Tobias

In yesterday’s newsletter, I wrote about my woeful slacktitude as a moviegoer during the first two-thirds of 2021, and my efforts to make up

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The Best Films of the Year (*According to Metacritic, According to Me): Part 1

The Best Films of the Year (*According to Metacritic, According to Me): Part 1

Scott Tobias

In which a humbled critic binges the woefully neglected great films of 2021.

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Open Question: Is your first James Bond destined to be your favorite James Bond?

Open Question: Is your first James Bond destined to be your favorite James Bond?

Keith Phipps

Are we fated to love the Bond we love or can we choose?

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In Review: 'No Time to Die' and 'Lamb'

In Review: 'No Time to Die' and 'Lamb'

Keith Phipps

The James Bond series brings the Daniel Craig era to a close. Meanwhile, in Iceland, a grieving couple forms an unconventional family.

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