In Review: 'Kimi,' 'Marry Me'
What do a brilliant shut-in trying to solve a crime, a pop star, and a math teacher have in common? They're all characters in two pretty good new movies.
'Prom Night' Forever: The Death and Life of the Slasher Cycle
Separated by seven years, 'Prom Night' and 'Hello Mary Lou: Prom Night II' reveal how horror trends mutate but never really die.
Minding the Gaps: 'Cherry 2000' (1987)
What if Melanie Griffith starred in a satirical post-apocalyptic action film about a lonely man and a sexy robot and nobody noticed until years later?
In Review: 'The Worst Person in the World,' 'Jackass Forever'
Norwegian director Joachim Trier ends his Oslo Trilogy with an incisive tale of generational drift, and the Jackass boys (with some new additions) are back in town.
Hidden Truths: How two school shooting dramas imagine traumas we cannot see
Two independent films from last year, 'The Fallout' and 'Mass,' square up to a hard conversation.
Dialogue: Sundance '92, Pt. 3 — Films Directed By Women and Wrapping Up ✦
In our final Sundance '92 conversation, we look at Allison Anders' 'Gas Food Lodging' and Katt Shea's 'Poison Ivy,' and step back for a final snapshot at a pivotal year for Sundance.
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