We wrap up our three-part conversation on Francis Ford Coppola's gangster trilogy by looking at the new "Coda" cut of the flawed third entry, and whether it creates more problems than it solves.
And we're giving away a handful of signed copies to new subscribers.
This week brings two movies loaded with references to other movies, but only one could be described as "original."
Three new shows about the rise and fall of start-up visionaries reveal the insidious power of confidence. And open offices.
In 1980, William Friedkin provoked outrage with a lurid thriller set in New York's leather scene.