In Review: 'The Killer,' 'The Holdovers'
Directors David Fincher and Alexander Payne return with new movies that are unmistakably in their wheelhouse.
Directors David Fincher and Alexander Payne return with new movies that are unmistakably in their wheelhouse.
Through a conceit that confines the action to a teenage girl's monitor desktop, this horror film does its part to reinvent the medium for the masses.
(Even though Frank Darabont's Stephen King adaptation was released in 2007.)
Two major filmmakers step up this week as Martin Scorsese's epic Western details a spate of killings in oil-rich Osage territory in the '20s and Errol Morris's new doc profiles the late John le Carré.
Did a belated look at one of Scorsese's least-loved films reveal a misunderstood masterpiece? (Spoiler: No, but it is a fascinating oddity.)
Our former Dissolve colleague discusses the unlikely rise of two newspaper critics who became influential television icons.