‘Dreamcatcher’ at 20: What Was That All About, Anyway?
In 2003, a lot of talented people made a baffling Stephen King adaptation. It's not good, but time has been unexpectedly kind to it.
In Review: 'Beau is Afraid,’ 'Evil Dead Rise'
Two new films explore two different sorts of scary creatures: demonic undead monsters and mothers.
The New Cult Canon: 'Support the Girls'
Andrew Bujalski's comedy about a day-in-the-life of a boobs-and-brews "breastaurant" is one of the great modern films about American labor.
#95 (tie): ‘A Man Escaped’: The Reveal discusses all 100 of Sight & Sound’s Greatest Films of All Time
Robert Bresson's minimalist prison break film suggests God's grace and guiding hand. It's also a nail-biter.
In Review: 'Renfield,' 'De Humani Corporis Fabrica'
Two new films take different approaches to exploring human viscera.
A Charming Chameleon with a Scorpion's Tail: On 'Color of Night'
Born of the erotic thriller boom of the early-'90s, Richard Rush's infamous flop is an unclassifiable oddity.