Our Sight & Sound 100 journey reaches its halfway point with a discussion of Jane Campion's 1993 film about music, marriage, and dealmaking in 19th century New Zealand.
Our trip through Sight & Sound's 100 best films nears the halfway mark with a stop in 1970s Munich, the setting for an unlikely Rainer Werner Fassbinder love story.
Chantal Akerman's epistolary 1976 documentary reflects on her time in New York City through lonely images and letters from her mother.
In his 1963 classic, Jean-Luc Godard puts a failing marriage and a troubled production in front of a CinemaScope hall of mirrors.
A flop in 1982, Ridley Scott's loose adaptation of a Philip K. Dick novel explores the nebulous definition of what it means to be human via a noir-inspired story of killer robots and those that killed them.
